Here are the street performances along 14th street happening during Urban Festival 2011 to commemorate the bicentennial anniversary of the Commisioner's Grid of Manhattan. We hope to see you around 14th street. Performances starts at 5 pm and ends at 8 pm.
PLATFORM
BroLab Collective
143 west 14th Street
PASSING TIME
Joanna Clark
on the M14 Bus Stop on 7th and 14th, and 77 7th ave (Grocery Store)
NO SHOES, NO PROBLEM
Julian Donahue
roaming performance
URBAN FURNITURE
Dylan Entelis
120 W. 14th Street, between 5th and 6th red and green standpipe about thigh high
SOUL ON A ROLL
Amber Keyser
roaming performance
QUOTATIONS
Laura Oconnor
various subway stations
CAUTION ON 14TH STREET
Michael C. Mangan
multiple temporary signage
SUBWAY ETIQUETTE
Courtney Moore
subway stations on 14th and 6th ave, 14th and 7th avenue
WELCOME TO THE FUTURE!
Eli Rosenbloom
14th @ 7th avenue phone booths
ACCUMULATE RISING HORIZON
Catlin Web
HYDROPHONY
Heather Dewey-Hagborg and Thomas Dexter.
Either the Hudson River or the East River and 14th street
GRID SCENES
The students of "Cinemetrics" and Harmattan Theater
Victoria Marshall, Brian McGrath, Jean Gardner, Jose Dejeus, Ashley Ahn, Atalay Harrison, Kimberly Tate, Ana Maria Ulloa Garzon. Ute Besenecker, Carmen Bouyer, Monica Hofstadter
7-8 pm , 14th street between 5th and 7th Avenue
A festival exploring the odd, ordinary and ingenious in the spectacle of daily life. Art in Odd Places aims to stretch the boundaries of communication in the public realm by presenting artworks in all disciplines outside the confines of traditional public space regulations. AiOP reminds us that public spaces function as the epicenter for diverse social interactions and the unfettered exchange of ideas.
Wednesday, March 30, 2011
Monday, March 28, 2011
OPEN CALL FOR ARTISTS: Art in Odd Places 2011
Art in Odd Places 2011: RITUAL
OPEN CALL FOR ARTIST SUBMISSIONS
Art in Odd Places (AIOP) invites artists working across disciplines to propose projects for its seventh installment. Taking place from October 1 to 10, 2011, along 14th Street from Avenue C to the Hudson River in New York City, we encourage proposals that explore this location's rich history, configuration, and heterogeneous communities. The theme for the upcoming edition of AiOP is RITUAL including Ceremony, Habituation, Myth, Obsession, Superstition, Liturgy, and it will be informed by propositions on the sacred and profane in everyday actions of people in public space.
In the contemporary moment, the idea of ritual is a highly provocative concept. It is most commonly linked to the set of actions in religious ceremony or cultural celebrations, but the notion is also applicable to the socializing behaviors performed among individuals in the daily engagement with the social environment and civic space. This edition of AiOP seeks proposals that subtly disrupt the procedures of the everyday or emphasize the ritualistic character of small gestures or acts in both religious and secular life, to establish temporary moments of ecstatic contemplation in the public realm.
AiOP 2011: RITUAL offers artists the opportunity to make art outside formal spaces by reconfiguring their artistic practice as public actions or urban interventions without the confinement of a gallery or museum space. AiOP 2011: RITUAL wants to engage passers-by, providing them with a new perspective of an otherwise familiar environment through site-specific installations, social and spatial interventions, video and audio projects, performance, new media, and other inventive practices. In addressing the distinct manifestations of ritual, the festival aims to broaden the public’s outlook on art, city dwelling, and social conventions.
Proposal Deadline: May 8, 2011
AiOP 2011 Guest Curators: Trinidad Fombella, El Museo del Barrio and Kalia Brooks, MoCADA
AiOP Founder and Director: Ed Woodham
AiOP Festival Producer: Lucia Warck MeisterWe look forward receiving your applications!
Thursday, March 24, 2011
This is not CSI: Brolab's "Autopsy"
This month, the group collectively known as Brolab , Art in Odd Places artists 2010, drove a 10 foot box truck as part of their public performance called "Autopsy. The project was part of Site Fest 2011 to explore the "notions of labor and resolution under the demands of pressure and time" by the mundane act of rotating tires. Such artistic undertaking was nothing new to this group: their last project, "Pump 14" involved transferring water from the East River to Hudson, vice versa, using yokes, pail and sheer manpower. How is that for exploring the ingenious of daily life?
See more of their work, visit their website http://inthenameofbrolab.org
Also, Art in odd Places will be collaborating with Parson's the New School and Brolab's Adam Brent to celebrate the 200th anniversary of Manhattan Grid on April 1. Brolab will "stage" another performance for the event. Rumor has it somebody from the Art in Odd Places will join them for their public performance. You don't want to miss that!
Everyone is invited! See information below.
Have you followed us on Twitter? Follow @artinoddplaces to get up to date news about Art in Odd Places.
Monday, March 21, 2011
AiOP and The New School presents: URBAN FESTIVAL ON 14th STREET APRIL 1, 2011
![]() |
|
|
Saturday, February 26, 2011
The AiOP message is going International!
We are very excited to have the Art in Odd Places team again for the 2011 festival. This year, artist Lucia Warck-Meister will be heading the festival production. Lucia will be in Buenos Aires this coming March 10, to give a talk about the importance of art in public spaces. If ever you are in Argentina, this is one event you sure you don't want to miss.
Artist Talk: Lucia Warck-Meister
When: March 10. 20100 18:30 PM
Where: Recoleta Cultural Center Buenos Aires, Argentina
Artist Talk: Lucia Warck-Meister
When: March 10. 20100 18:30 PM
Where: Recoleta Cultural Center Buenos Aires, Argentina
Monday, November 1, 2010
North Brooklyn's public art scene will further thrive through nbART
The words "art" and "artists" will always get associated with these three words: "Greenpoint", "Williamsburg" and "Bushwick. North Brooklyn has garnered the reputation as a thriving community of artists. But what do those three places say about "public art"? The community itself is a conducive space where creativity flows. Yet, is the need for community engagement being addressed? These are the questions leading to the creation of the "North Brooklyn Public Arts Coalition", also known as "nbART", to increase awareness of public art in the North Brooklyn area. There is just too much talent brewing and expressed there for the community to absorb. Art in Odd Places definitely supports nbART's vision and we expect great things along the way for the organization.
nbART recently had a successful relaunch party last October 5. We contacted Arielle Friedman, Curator and Deputy Director of Marketing, and Katie Denny, Executive Director, to give us more information about their organization.
nbART recently had a successful relaunch party last October 5. We contacted Arielle Friedman, Curator and Deputy Director of Marketing, and Katie Denny, Executive Director, to give us more information about their organization.
![]() |
nbART Team: Cara Jordan,Linda Gao,Arielle Friedman,Mollie Cashwell, Katie Denny, |
Aiop: Tell us more about your group and how did it get started.
nbART: The North Brooklyn Public Art Coalition is an arts organization dedicated to collaborating with artists and community stakeholders in Williamsburg, Greenpoint and Bushwick to produce, present and support public art. We also do advocacy work on behalf of artists in these neighborhoods, and partner with community organizations to engage the public and encourage them to interact with the space that surrounds them. nbART is a staff of volunteers who are passionate about working in the arts, and who are dedicated to fulfilling our mission and increasing awareness of our organization, and engagement within the community.
nbART started the way a lot of organizations do: out of a conversation. Back in February 2009, then-Council Member David Yassky attended a Community Board meeting to talk about the lack of public art, and opportunities to create public art, in a neighborhood of artists; the North Brooklyn Public Art Coalition was created shortly thereafter.
We’ve produced three community-based visual arts projects to date:
· In July 2009 (and still on view on India Street between West Street and the East River) our kick off project was the “India Street Mural Project,” which featured six site-specific murals created by six artists/collectives that reinvigorated a Greenpoint waterfront, unused industrial site. That fall, we partnered with a Brooklyn-based film organization, Moviehouse, to produce a bi-weekly film series that was screened in between the murals.
· In December 2009 we worked with Open Space Alliance to produce the first public artwork ever presented in McCarren Park: Jason Krugman’s “Living Objects” – three large-scale, LED-lit sculptures taking on a human form.
![]() |
| Jason Krugman’s “Living Objects” |
· In June 2010, nbART unveiled “Future Phenomena” by Amanda Browder, an 800 sq. ft. fabric sculpture that blanketed a building façade in Greenpoint; the piece was created by the artist with the help of dozens of community members who donated fabric and participated in public sewing sessions we organized last spring.
| “Future Phenomena” by Amanda Browder. |
Aiop: What prompted the name change from nbpac to nbART?
nbART: We used the acronym “nbpac” for about a year before considering other ways to identify ourselves. We wanted a creative, recognizable name and image that simply explained what we do without, well, needing to explain what we do. While “nbpac” may be confused with a Political Action Committee or Performing Arts Center (and even sounds like NJPAC), “nbART” emphasizes the most important aspect of what we do: art in North Brooklyn. The fact that the two names sound alike made the transition pretty smooth.
Aiop: North Brooklyn has had the reputation as a haven for artists. How is the public art scene in the area?
nbART: Whether it’s the proximity to the waterfront, the expense of presenting in a gallery, the lack of museums in the area, or simply the abundance of artists living here, artists are inspired to use our public spaces as their canvases. And it’s no surprise to hear that there are a lot of artists living and working in North Brooklyn. A decade or so ago, Williamsburg was the place to be to produce art; today, given the vast number of artist studios that have appeared in Bushwick, Bushwick is gaining recognition as the haven for artists. And last month’s Greenpoint Open Studios – with over 150 participants – proved Greenpoint is not far behind. And the public art scene reflects this saturation of artists – it is vibrant and everyone knows and talks about it. The forms of public art vary from illegal graffiti to legal street art to publicly-funded projects in our parks and open spaces. That last point is important: our local elected and City officials are very supportive of the arts, and that makes a difference in terms of an artist’s ability to present his/her work in the public realm. The biggest challenge for artists is navigating that process, and our hope is that nbART can help them overcome that.
Aiop: For nbART's most recent project, why do an open call for a sound installation?
nbART: In Spring 2009 we launched an Open Call for our kick-off project, the India Street Mural Project, so this wasn’t our first time. Although we don’t always begin projects with open calls, we like to use them as a tool that encourages partnerships and helps create early buzz about a project – even before it’s selected! Since nbART was founded, we’ve worked with murals, lights, and fabric. For our next installation, we knew that we wanted to work with sound, and that we wanted to put that idea of sound into the minds of local artists and see what exciting projects they could envision for our open spaces. We invited Brooklyn-based artists to select a site in Greenpoint, Williamsburg or Bushwick and propose a sound installation there that 1. considers the historical, social, and political atmosphere of North Brooklyn’s community; and 2. engages the public as a critical project component. We are very pleased with the results of that process. An expert panel with representatives from organizations like Creative Time, UnionDocs and 601artspace selected a proposal by Brooklyn-based artist Nick Yulman. Nick’s project begins with the collection of relevant oral histories from around the neighborhood, and then uses sounds and themes from those stories to create music and robotics out of locally scavenged materials. The end result will be a series of installations on 4-5 construction fences in North Brooklyn that will create serendipitous encounters for passersby, and invite them to engage with the community’s past while standing at the sites of its developing future.
![]() |
| Brooklyn-based artist Nick Yulman |
Aiop: It is nice to hear your group is creating a water station for out NYC marathoners this November. How did this come about? Will this become a tradition?
nbART: We’re not creating a water station for the NYC Marathon, but we are supporting a local group called the North Brooklyn Runners (NBR) by seeking volunteers to help them man their station. nbART is a community-based organization and loves to partner with other community organizations, whether arts-focused or not. In North Brooklyn especially, the creative sector crosses fields, from art to food and, in this case, to running. What our two organizations have in common is the desire to connect people to their North Brooklyn community: both nbART and NBR are Steering Committee members of the Open Space Alliance and advise the organization on how the community interacts with its public parks and spaces.
Aiop: As a group about public art, tell us more about your recent collaboration with LMCC about laws governing temporary public art.
nbART: We love the Lower Manhattan Cultural Council, support the work they do, and are honored that they chose to highlight our organization at their recent workshop, “Making Temporary Public Art & Performance: What Artists Need to Know.” We wanted to spread the word about the program to artists in our network, and felt it presented an excellent opportunity for artists to hear some of the challenges in creating public art and learn about ways around some of those obstacles. LMCC has a wealth of experience and resources and we are hoping some of that knowledge reached Brooklyn artists.
Aiop: What does the future hold for nbART?
nbART: Throughout this fall nbART is focusing on two main things: producing its upcoming sound installation with artist Nick Yulman, and developing our Board of Directors. In the immediate future, we will reach out to community members and begin to record their stories. We are looking for owners of the neighborhood’s long-standing businesses; neighborhood characters; and residents who revel in neighborhood quirks and legends. We are also looking for sponsors and partners in bringing this project to the public this spring. Anyone who has a story to tell, or who knows of someone with an interesting story should email me at kdenny@nbART.org.
As a small organization that is fiscally sponsored by tax-exempt organizations, we are also looking to move into the next stage of organizational growth. So we are currently seeking to develop our Board and become incorporated as a 501(c)(3) non-profit.
Aiop: Any last words for Art in Odd Places?
nbART: You all produce a great festival! And as a fellow organization that focuses on the use of public space we are huge fans of AiOP’s mission and the work you do. I also read your recent interview with David Koren and wanted to give a shout out to FIGMENT – those guys are amazing!!!
Thank you nbART and keep us posted with your future events!
To get more information about nbART, visit www.nbart.org or follow them via twitter (twitter.com/nbkpublicart).
Thank you nbART and keep us posted with your future events!
To get more information about nbART, visit www.nbart.org or follow them via twitter (twitter.com/nbkpublicart).
Monday, October 25, 2010
David Koren for Figment Project 2010
The Art in Odd Places 2010 festival recently concluded. It was such a delight to see our artists infusing their works along the stretch of 14th Street. Please check our Facebook group and Flickr page to see pictures from the festival.
Although the festival just ended, Art in Odd Places recognizes the need to acknowledge other festivals, especially in New York City, that share the credo in making art accessible. A few months ago, Governor's Island was transformed into a a great art space for "Figment NYC 2010". The vision of the festival is to "celebrate the abundance of creativity and passion, challenging artists and our communities to find ways to create, share, and dream.". What is so interesting about this festival is the emphasis on participation, where people are encouraged to interact with the art works. It is literally bringing the arts closer to the intended recipient. It is through festival like Figment that bring the word "accessibility" to whole different level.
Art in Odd Places reached out to David Koren, Executive Producer and Founder for Figment to share his thoughts about Figment and a few other questions, including his emphasis on participatory art
Aiop: This year's event was definitely a huge success. How was this year's Figment different from the previous ones?
DK: Well, after four years, it really does seem that we are part of the cultural landscape in New York City, and people know about Figment and what we stand for. This year's Figment event had nearly 25,000 participants, over 10,000 more than last year, who engaged with 400 art projects. And we estimate that our summer-long minigolf course, sculpture garden, and pavilion will be visited by approximately 75,000 people this summer. Aside from the growth in terms of number of participants and visitors, we also believe we are growing in terms of the overall quality of the projects we create, and the skill of the artists who bring work to Figment.
Aiop: What is the ultimate goal of Figment?
DK: In a word, participation. We want everyone to participate and to create a deep and engaging experience for everyone through participation and collaboration. We would like to see every single person who comes to Governors Island bringing something to share, some way to engage with others. We believe that participation creates community, brings us all closer together, and in this way is a vehicle for personal and social transformation.
Aiop: You mentioned the parallelism between Burning Man and Figment. Could you speak more about this?
DK: Figment is inspired and influenced by Burning Man, but is not linked to Burning Man in any official way. The founders of Figment view our event and projects as a way to share the principles that we have learned from Burning Man with a broader audience: Participation, Decommodification, Inclusion, Self-Expression, Self-Reliance, Giving, Communal Effort, Civic Responsibility, Leave No Trace, and Immediacy. The influence goes both ways… Burning Man Founder Larry Harvey has said that the 2010 Burning Man theme, "Metropolis," was inspired by his trip to New York and Figment in June 2009. We see Figment as an evolution of the principles of Burning Man brought out into the public realm.
Aiop: Figment's work is driven entirely by volunteers. How important is it to build not only a strong Figment community but also building relationship within the public art community?
DK: We're all about relationships, and building as broad a community around participatory public art and Governors Island as we can. We have built strong relationships with groups concerned with the arts, design, sustainability, Governors Island, our waterfronts, etc. We believe that public art is art that is created by and for the public, and we welcome partnerships with any organizations that share this view.
Aiop: It seems that Figment is really big on the idea of participatory art, the ability to interact with the work as oppose to merely seeing it. Tell us more about this.
DK: Participation is what we're all about. It's at the heart of what we do, and what sets us apart from other arts organizations. We resist the idea of the artist as a singular genius who is ordained by the cultural elite. We believe that we are all creative, that we all have the capacity to make art, and that if we work together we can create things that no one of us could have created in isolation. Every one of our projects involves participation or interaction in some way. Through this focus, we seek to bring the moment of creation as close as possible to the present moment. Think about most art you see in a museum or gallery: it likely was created by someone else, who you've never met, a long time ago in a faraway place. It couldn't be much further away from you and your experience. By focusing on collaboration and participation, we're bringing the moment of creation, the moment when the creator says, "Aha! I've got it!" as close as possible to the present time and place. Art isn't something that has to be created in isolation in a studio. Art can be the experience that we're creating together, right now.
Aiop: Anything you would like say to Art in Odd Places as its 6th annual festival just recently concluded
DK: Art in Odd Places does a great job creating a more democratic arts experience for the people of New York City. Keep up the great work! I think it's important to consider, as I know you guys do, just how engaging a work of art is… Is the art just about going somewhere and looking at it, or does it reach out and grab you, and get you to engage with it - and to collaborate with the artists in creating a shared experience? I think that's where the real frontiers lie in art today.
For more information about this exciting project, visit http://figmentproject.org/2010/
Although the festival just ended, Art in Odd Places recognizes the need to acknowledge other festivals, especially in New York City, that share the credo in making art accessible. A few months ago, Governor's Island was transformed into a a great art space for "Figment NYC 2010". The vision of the festival is to "celebrate the abundance of creativity and passion, challenging artists and our communities to find ways to create, share, and dream.". What is so interesting about this festival is the emphasis on participation, where people are encouraged to interact with the art works. It is literally bringing the arts closer to the intended recipient. It is through festival like Figment that bring the word "accessibility" to whole different level.
Art in Odd Places reached out to David Koren, Executive Producer and Founder for Figment to share his thoughts about Figment and a few other questions, including his emphasis on participatory art
![]() |
| David Koren,Founder and Executive Producer at Figment |
Aiop: This year's event was definitely a huge success. How was this year's Figment different from the previous ones?
DK: Well, after four years, it really does seem that we are part of the cultural landscape in New York City, and people know about Figment and what we stand for. This year's Figment event had nearly 25,000 participants, over 10,000 more than last year, who engaged with 400 art projects. And we estimate that our summer-long minigolf course, sculpture garden, and pavilion will be visited by approximately 75,000 people this summer. Aside from the growth in terms of number of participants and visitors, we also believe we are growing in terms of the overall quality of the projects we create, and the skill of the artists who bring work to Figment.
Aiop: What is the ultimate goal of Figment?
DK: In a word, participation. We want everyone to participate and to create a deep and engaging experience for everyone through participation and collaboration. We would like to see every single person who comes to Governors Island bringing something to share, some way to engage with others. We believe that participation creates community, brings us all closer together, and in this way is a vehicle for personal and social transformation.
Aiop: You mentioned the parallelism between Burning Man and Figment. Could you speak more about this?
DK: Figment is inspired and influenced by Burning Man, but is not linked to Burning Man in any official way. The founders of Figment view our event and projects as a way to share the principles that we have learned from Burning Man with a broader audience: Participation, Decommodification, Inclusion, Self-Expression, Self-Reliance, Giving, Communal Effort, Civic Responsibility, Leave No Trace, and Immediacy. The influence goes both ways… Burning Man Founder Larry Harvey has said that the 2010 Burning Man theme, "Metropolis," was inspired by his trip to New York and Figment in June 2009. We see Figment as an evolution of the principles of Burning Man brought out into the public realm.
Aiop: Figment's work is driven entirely by volunteers. How important is it to build not only a strong Figment community but also building relationship within the public art community?
DK: We're all about relationships, and building as broad a community around participatory public art and Governors Island as we can. We have built strong relationships with groups concerned with the arts, design, sustainability, Governors Island, our waterfronts, etc. We believe that public art is art that is created by and for the public, and we welcome partnerships with any organizations that share this view.
Aiop: It seems that Figment is really big on the idea of participatory art, the ability to interact with the work as oppose to merely seeing it. Tell us more about this.
DK: Participation is what we're all about. It's at the heart of what we do, and what sets us apart from other arts organizations. We resist the idea of the artist as a singular genius who is ordained by the cultural elite. We believe that we are all creative, that we all have the capacity to make art, and that if we work together we can create things that no one of us could have created in isolation. Every one of our projects involves participation or interaction in some way. Through this focus, we seek to bring the moment of creation as close as possible to the present moment. Think about most art you see in a museum or gallery: it likely was created by someone else, who you've never met, a long time ago in a faraway place. It couldn't be much further away from you and your experience. By focusing on collaboration and participation, we're bringing the moment of creation, the moment when the creator says, "Aha! I've got it!" as close as possible to the present time and place. Art isn't something that has to be created in isolation in a studio. Art can be the experience that we're creating together, right now.
Aiop: Anything you would like say to Art in Odd Places as its 6th annual festival just recently concluded
DK: Art in Odd Places does a great job creating a more democratic arts experience for the people of New York City. Keep up the great work! I think it's important to consider, as I know you guys do, just how engaging a work of art is… Is the art just about going somewhere and looking at it, or does it reach out and grab you, and get you to engage with it - and to collaborate with the artists in creating a shared experience? I think that's where the real frontiers lie in art today.
For more information about this exciting project, visit http://figmentproject.org/2010/
Subscribe to:
Posts (Atom)










